Dxo filmpack review2/20/2023 If you elect to Hide the controls, you can just sample the various options displayed in the filmstrip at the bottom of the screen. However you've launched FilmPack 3, the interface is the same. In Photoshop, Lightroom or Aperture, you open an image first and then call FilmPack 3 to edit it.FilmPack 3 is built into Optics Pro, so you can access it from the menu system while working on an image.As a standalone application, you merely have to launch FilmPack 3 and open a JPEG image.There are several ways to tap into the magic of FilmPack 3: Creative Vignetting: Intensity, Midpoint, Roundness, Transition.Film Grain: Film rendering popup, Intensity, Size.Channel Mixer: Red, Yellow, Green, Cyan, Blue, Magenta.Basic Settings: Contrast, Saturation, Exposure.Toning: Toning (Gold, Selenium, Sepia, etc.), Intensity.Tonality: Film rendering popup, Intensity.You can save your settings as a preset from the little gear icon menu. There are both Color and Black and White Control panels. You can also display just the Luminance channel. The user interface includes a number of controls you can fiddle with to fine tune the effect or even radically alter it.Īt the top is a histogram, which you can configure to display all the RGB channels at once or individually. Rollei: IR 400, Retro 100 Tonal, Retor 80s, Ortho 25.Kodak: BW 400 CN, HIE (High Speed Infrared), Kodak HIE filtered (High Speed Infrared), T-Max 100/400/3200, Tri-X 400.The Black and White emulsions (with a few infrared) include:
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